Expert audio and visual post production, available remotely wherever you are. From a simple edit to full broadcast finishing — we take raw footage and turn it into something worth watching.
Post production is where the footage actually becomes the film — the edit, the colour, the sound, the finishing touches. We handle all of it in-house, and we can do it entirely remotely, so distance is never a reason to compromise on quality.
Bring us your footage, or let us handle the whole production — either way, the same post workflow applies.
From a rough assembly through to a locked final cut, structured around your brief and your deadline.
Consistent, broadcast-standard colour grading that matches the tone of your brand or production.
Dialogue clean-up, music, sound design and a full mix, so the finished piece sounds as good as it looks.
A great shoot can still fall flat in a rushed edit. Here's what we build into every post production job.
Send us your footage from anywhere — you don't need to be in the North East to work with us.
Files delivered to the specs your broadcaster, venue or platform actually requires.
Grading that keeps footage consistent across cameras, locations and lighting conditions.
Problem audio fixed, levels balanced, and a mix that holds up on any speaker system.
Agreed deadlines that are actually hit, without sacrificing the quality of the finish.
A single editor sees your project through, so nothing gets lost between hand-offs.
Your footage or ours is ingested, backed up and organised ready for the edit.
A structured first cut built around your brief, ready for review.
Picture graded and sound mixed to broadcast standard once the cut is locked.
You review the finished piece, and we deliver in every format you need.
No — we regularly edit, grade and mix footage shot by other crews or clients themselves. If you've already got the footage, we can take it from there.
Yes. Footage can be transferred to us digitally or on physical media, and the whole edit, grade and mix process can happen without you needing to be in the North East.
We work with all common broadcast and camera formats, and deliver to whatever spec your platform, broadcaster or venue requires — just let us know the requirements up front.
It depends on the length and complexity of the project, but we'll agree a realistic timeline at the brief stage and keep you updated throughout, including any hard deadlines you're working to.
Yes — audio mixing, clean-up and sound design are available as standalone services if your video edit is already handled elsewhere.
We build review and revision rounds into the process so you can request changes before the final version is locked — the exact number is agreed with you as part of the brief.
In many cases, yes. Audio clean-up and restoration can rescue recordings that would otherwise mean a costly reshoot — send it over and we'll advise honestly on what's achievable.
Yes — we regularly deliver to broadcast specification, including compliant audio levels, colour space and file wrappers, alongside standard web and social exports.
Send it over and we'll take it from raw footage to a polished, broadcast-ready final file.